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Philippe de Champaigne 1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
Philippe de Champaigne Moses with th Ten Commandments mk60
Oil on canvas
36x28"
Painting ID:: 28738
X
Philippe de Champaigne Louis XIII of France mk61
1665
Oil on canvas
108x86cm
Painting ID:: 29518
X
Philippe de Champaigne The Annunciation c. 1645
Oil on canvas, 334 x 214 cm
Painting ID:: 29524
X
Philippe de Champaigne Portrait of a Man 1650
Oil on canvas, 91 x 72 cm
Painting ID:: 30586
X
Philippe de Champaigne Mother Catherine Agnes and Sister Catherine Sainte-Suzanne mk68
Oil on canvas
5' 1/2x7'4"
Paris,Louvre
1662
France
Painting ID:: 33607
X
Philippe de Champaigne Ex Voro mk86
1662
Oil on canvas
165x229cm
Paris,Musee National du Louvre
Painting ID:: 40487
X
Philippe de Champaigne Cardinal Richelieu mk156
1650
Oil on canvas
222x155cm
Painting ID:: 40500
X
Philippe de Champaigne Ex-Voto mk156
1662
Oil on canvas
165x229cm
Painting ID:: 43233
X
Philippe de Champaigne Cardinal Richelieu mk170
circa 1637
Oil on canvas
259.7x177.8cm
Painting ID:: 51032
X
Philippe de Champaigne The Presentation of the Temple 1648
Oil on canvas,
257 x 197 cm
Painting ID:: 51726
X
Philippe de Champaigne The Nativity nn09
1643
OIl on canvas
207x116cm
Painting ID:: 57266
X
Philippe de Champaigne A portrait of a man mk255 for in 1650. Canvas 0.91 x 0.72 meters high. Paris, the Louvre
Painting ID:: 64392
X
Philippe de Champaigne little girl with falcon 1628
paris, louvre
Painting ID:: 68281
X
Philippe de Champaigne Ecce Homo Description Ecce Homo
Date XVIIe siecle
Source/Photographer Huile sur toile
Painting ID:: 74238
X
Philippe de Champaigne eccehomo Description Ecce Homo
Date XVIIe siecle
Source/Photographer Huile sur toile
Permission
(Reusing this file) See below.
cyf
Painting ID:: 74544
X
Philippe de Champaigne Still-Life with a Skull Still-Life with a Skull (Oil on panel, 28 x 37 cm)
cjr
Painting ID:: 74614
X
Philippe de Champaigne Saint Augustin 1645-1650
Oil on canvas
78.7 x 62.2 cm
cjr
Painting ID:: 74626
X
Philippe de Champaigne Saint Augustin 1645-1650
Oil on canvas
78.7 x 62.2 cm
cjr
Painting ID:: 75877
X
Philippe de Champaigne Still Life with a Skull Still-Life with a Skull (Oil on panel, 28 x 37 cm)
cyf
Painting ID:: 76148
X
Philippe de Champaigne Saint Augustin Date 1645-1650
Medium Oil on canvas
Dimensions 78.7 x 62.2 cm
cyf
1602-1674
Philippe de Champaigne Locations
His artistic style was varied: far from being limited to the realism traditionally associated with Flemish painters, it developed from late Mannerism to the powerful lyricism of the Baroque. It was influenced as much by Rubens as by Vouet, culminating in an aesthetic vision of the world and of humanity that was based on an analytic view of appearances and on psychological truth. He was perhaps the greatest portrait painter of 17th-century France. At the same time he was one of the principal instigators of the Classical tendency and a founder-member of the Acadmie Royale de Peinture et de Sculpture. His growing commitment to the Jansenist religious movement (see JANSENISM) and the severe plainness of the works that it inspired has led to his being sometimes considered to typify Jansenist thinking, with its iconoclastic impulse, in spite of the opposing evidence of his other paintings. He should be seen as an example of the successful integration of foreign elements into French culture and as the representative of the most intellectual current of French painting.
